Aeneid --- Vergil

Aeneid
Genre - Literary Epic
Although the Aeneid shares many characteristics with the Homeric epic, as an epic it is different in important ways. For this reason, the Aeneid is referred to as a literary or secondary epic in order to differentiate it from primitive or primary epics such as the Homeric poems. The terms "primitive", "primary" and "secondary" should not be interpreted as value judgments, but merely as indications that the original character of the epic was improvisational and oral, while that of the Aeneid, composed later in the epic tradition, was basically non-oral and crafted with the aid of writing. As we have seen, the Homeric poems give evidence of improvisational techniques of composition1 involving the use of various formulas. This style of composition is suited to the demands of improvisation before an audience which do not allow the poet time to create new ways of expressing various ideas. In order to keep his performance going he must depend upon stock phrases, which are designed to fill out various portions of the dactylic hexameter2 line. On the other hand, Vergil, composing in private, obviously spent much time on creating his own personal poetic language. Thus in reading the Aeneid you will notice the absence of the continual repetition of formulas, which are unnecessary in a literary or secondary epic.

1Whether the Homeric poems were originally improvised without the aid of writing or written down by the poet himself or dictated to a scribe and then recited, is not known for certain, but it is clear that they were composed in the style of improvised oral poetry. 2Vergil in the Aeneid uses this traditional meter of epic poetry.
Vergil, however, does imitate Homeric language without the repetitions. This is another reason for calling the Aeneid a secondary epic. For example, Vergil occasionally translates individual Homeric formulas or even creates new formulas in imitation of Homer such as "pious Aeneas", imitates other Homeric stylistic devices such as the epic simile and uses the Homeric poems as a source for story patterns. Although in this sense the Aeneid can be called derivative, what Vergil has taken from Homer he has recast in a way which has made his borrowings thoroughly Vergilian and Roman. For example, Vergil changed the value system characteristic of the Homeric epic, which celebrated heroic individualism such as displayed by Achilles in the Iliad. The heroic values of an Achilles would have been anachronistic and inappropriate in a poem written for readers in Rome of the first century B.C., who required their leaders to live according to a more social ideal suited to a sophisticated urban civilization. Therefore, although Vergil set the action of his poem in a legendary age contemporary with the Trojan War before Rome existed, one must judge the characters of his poem by the standards of the poet's own times.

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